In one of her interviews, Lata said that she liked the South Indian way of singing. He would also explain how the extra accent to the flutes carried the song to another level. But when we played the song after recording, her reaction was inexplicable,” Ilayaraja said. He also prevailed upon lyricist Vaali to write the song with simple repeated words (known as Rettai Kilavi, which will have no meaning if separated) so that it would be easy for her to sing.“She was not fully confident when I sang it for her. But I said it should be rendered only by Lata Mangeshkar and he agreed,” Ilayaraja said. “When I played the tune, Kamal Haasan liked it and wanted to use it in the film. Ilayaraja has narrated the incident behind the composition of the song in many public performances.
SIVAJI GANESAN FILMOGRAPHY HOW TO
The tune - a piece in flute - was originally composed by Ilayaraja for his album How to Name It, but it was not recorded at that time. Sivaji hands over memento to Lataīut it was the song Valai Osai Kala Kalavena in Kamal Haasan starrer Sathya (1988) that became a sensation. Ilayaraja himself told me,” said writer and film director Suka. Her another hit song in Tamil is Engiruntho Azhaikkum for the film En Jeevan Paaduthu, again composed by Ilayaraja.“The power of the song is explained by the fact that when Ilayaraja played it for his wife, she became emotional and broke down inconsolably. Historian of Tamil film music Vamanan said that in the 1960s when Hindi films were remade in Tamil, tunes of her hit songs were also used. READ: Lata touched billions of hearts, says Lankan President Gotabaya Rajapaksa It happened till last year,” Prabhu said. She would send new clothes for our family during Deepavali and we would send them some gifts too. There was no distilled water at that time and my mother sent her boiled water in a flask.
Since she did not like food from hotels, my mother would personally cook for her. He constructed it for her stay during her visit to Chennai.“My father constructed it in two months. She would send photographs of deities, Baba and my father,” Prabhu explained.Ī bungalow inside Annai Illam, the residence of Sivaji Ganesan bears testimony to their bonding. She would regularly send photos, she even did just before the day she was hospitalized. A bond developed between him and her sisters which continued till yesterday. After watching one of his films, she came to Chennai to see him. READ: Legendary singer Lata Mangeshkar India's nightingale, dies at 92 Sivaji's sense of humor had Lata in raptures He added that Lata Mangeshkar was a great fan of his father and she and her sisters would affectionately call him 'Anna'. She said 'I did it for my elder brother'. She came, sang and left for Mumbai without accepting any remuneration. Prabhu recalled:“My brother Ramkumar was particular that she should render a song for the film. Subscribe to our Telegram channel for the latest updates from around the world Her first song - Aararo Aararo - was for the film Anand released, in 1987, with Sivaji Ganesan's son Prabhu in the lead role. Her songs in the modern period of film-making became runaway hits.
It was, however, in the 1980s that her combination along with Illayaraja that put her songs on the lips of Tamil film fans. The 50s also saw her sing in the remake of Dilip Kumar's Uran Khatola in the Tamil as Vanaratham. It was in the 1950s that she made her foray into Tamil films, with Aan Murattu Adiyaal, the Tamil remake of the Hindi film Aan. Her foray into the Tamil film industry happened because of her close relationship with the late Thespian Sivaji Ganesan and his family. Chennai, February 7 (The Hindu): Lata Mangeshkar rendered innumerable film songs in almost all Indian languages and a couple of them she sang in Tamil became all-time greats.
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